Halloween fun at the Historic Goleta Depot

Ghost Light Night 2019
Sunday, October 27, 2019; 5:00 pm

LEWIS BLACK, GRAMMY Award-winning, stand-up comedian, is one of the most prolific and popular performers working today. He executes a brilliant trifecta as a stand-up comedian, actor and author. Receiving critical acclaim, he performs more than 200 nights annually, to sold-out audiences throughout Europe, New Zealand, Canada and the United States. He is one of

Known as the king of the rant, LEWIS BLACK uses his trademark style of comedic yelling and animated finger-pointing to skewer anything and anyone that gets under his skin.

Acclaimed San Francisco Bay Area acoustic fingerstyle guitarists Teja Gerken and Doug Young are coming to Santa Barbara as part of the guitar-themed Santa Barbara Acoustic concert series (www.sbacoustic.com). Drawing from their individual catalogs of original compositions, Celtic tunes, arrangements of jazz standards, and the occasional classical piece, Teja and Doug present a varied repertoire. See them perform together at SOhO on October 27!

On Sunday, October 27th, hundreds of hikers and community volunteers will gather at Elings Park for the 18th Annual Summit for Danny Community Climb.

Join us Sunday morning on the Carr patio for a Halloween-inspired yoga flow and Carr wine!

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

The 19th Annual Summit for Danny Community Climb will take place on Sunday, October 27, at Elings Park in Santa Barbara, the largest public park in America, located at 1298 Las Positas Road. 

The Santa Barbara Trust for Historic Preservation presents this annual free family craft event in the courtyard of Casa de la Guerra to celebrate the Mexican holiday, Día de los Muertos (Day of the Dead). This program celebrates the history and culture of Santa Barbara's Latino families, bringing together parents and children to create holiday

MCC Theater
In this talk, Jordan T. Camp examines the state surveillance and repression of Black freedom leaders. He offers a new trajectory of U.S. state formation during the Cold War and a historically grounded analysis of racism and counterinsurgency. Linking the violent 1949 Peekskill, New York attack on Black activist Paul Robeson to counterinsurgency programs, he demonstrates the relationship between the build-up of the largest warfare state on the planet and what he terms a “long vendetta” against the Black radical internationalist tradition. Jordan T. Camp is Director of Research at the People’s Forum, Visiting Scholar in the Center for Place, Culture and Politics at the Graduate Center of the City University of New York, and Co-Director of the Racial Capitalism Working Group in the Center for the Study of Social Difference at Columbia University.