FISHING FOR THE FUTURE: Santa Barbara Sea Glass & Ocean Arts Festival announces a silent auction on Instagram to Benefit the San

The Santa Barbara Sea Glass & Ocean Arts Festival (SBSGOAF) is having an Instagram silent auction from October 11-18, with 100% of the proceeds going to @sbmaritimemuseum. The Santa Barbara Maritime Museum has been closed for the duration of the pandemic and may not be able to reopen until the end of the year. We wanted to help them out, and we are hoping you will support our efforts. 12 amazing professional artists are transforming wood fish into beautiful original art for you to bid on!

Hookman by Lauren Yee

Hookman by Lauren Yee

Directed & adapted by Michael Bernard

An early play by a rising contemporary playwright, Hookman has been described by some as a “slasher comedy.” Sometimes mysterious, often hilarious, Hookman is a biting story of teen angst and loss.
URL: https://www.theaterdance.ucsb.edu/news/event/747

Event Price: $13-19

UCSB Performing Arts Theater

FEB 15, 2020 / 1PM, 7PM
FEB 18 - 20, 2020 / 8PM
FEB 21 - 22, 2020 / 7PM
FEB 22 – 23, 2020 / 1PM

Chris Kallmyer: Ensemble

"Ensemble" is the title of a new multimedia installation by Los Angeles-based sound and performance artist, Chris Kallmyer.

On the Road Again: Japan’s Tōkaidō in Prints and Paintings

The Tōkaidō, or Eastern Sea Road, was formed in the 17th century to link Japan’s old imperial capital, Kyoto, with the new warrior capital, Edo (modern Tokyo). Along the 320-mile route, 53 official post towns fed, lodged, and supplied travelers. By the mid-19th century, woodblock printed novels, guidebooks, and pictures made famous the road’s natural scenery—and real or imagined experiences.

This exhibition showcases a rare surviving set of the "Comic Picture Scroll of the 53 Stations of the Tōkaidō," painted in 1921 by eighteen "manga" (“comic pictures”) artists from the newly formed Tokyo Manga Association, along with selected woodblock prints by Utagawa Hiroshige (1797–1858), the greatest landscape print artist of the "ukiyo-e" (floating world picture) tradition who memorialized the great highway. Drawn from the Museum's permanent collection and augmented with loans from local collectors, the installation also includes three woodblock prints by the post-war artist Sekino Jun’ichirō (1914–1988) whose "Stations of the Tōkaidō" series, creatively echoed some of Hiroshige’s memorable images, a further testament to the legacy of Hiroshige and Japanese artists’ continued romance with this famed road.

This intimate exhibition was guest curated by Kendall H. Brown, Professor of Japanese Art History at California State University, Long Beach.

Image: Utagawa HIROSHIGE, Japanese, 1797–1858, "Station 10" (detail), Odawara from the series "53 Stations of the Tōkaidō Road," 1833–34. 1st month of Tempo 5. Color woodblock print. SBMA, Gift of the Frederick B. Kellam collection.

Photo Sculptures by Salvatore Matteo

Silo118 presents an exhibition of photo sculptures by Los Angeles-based artist Salvatore Matteo at Synergy One Lending in Montecito, 1250 Coast Village Road, open weekdays 9am-5pm.

Sound Bath

Join us to listen and feel authentic sound through the vibrations of various instruments such as Tibetan/Crystal singing bowls, voice, bells and chimes. Give your mind a chance to wander into a deeper relaxation and improve overall wellbeing.

Salt and Silver: Early Photography 1840 – 1860

Featuring more than 100 seldom-displayed salt prints from the Wilson Centre for Photography, this extraordinary exhibition provides a rare chance to experience some of the earliest photographs ever made, by many of the most important and groundbreaking figures in the history of the photographic medium. "Salt and Silver" surveys the first two decades of photography’s evolution through the salt paper print process, unveiled in 1839 by the English scientist and scholar William Henry Fox Talbot. Talbot’s invention was a scientific and artistic breakthrough that created an entirely new visual experience. The technique—which used the simple compounds of salt and silver—was efficient, portable, and versatile, traits that allowed the practice of photography to spread across the globe from the early 1840s onward. Featuring the work of more than 40 practitioners, "Salt and Silver" traces their networks and geographical reach from England into Europe, North Africa, the Middle East, India, China, and North America. The presentation at the Santa Barbara Museum of Art represents the final opportunity to see this exhibition after being on view at Tate Britain, London; Yale Center for British Art, New Haven, CT, and the Ruth Chandler Williamson Gallery at Scripps College, Claremont, CA. Salt and Silver: Early Photography 1840–1860 has been organized by the Wilson Centre for Photography with the Yale Center for British Art.
Image: Studio of Mathew Brady. Mathew Brady, Sixth Corps Staff Officers, "Winter of 1864," 1864. Salted paper print from a glass plate negative. Courtesy of the Wilson Centre for Photography.

September 11 Concert

September 11 Concert
FREE
Wednesday, September 11, 2019
5:30pm
Faulkner Gallery - Central Library

With performances by Santa Barbara Poet Laureates Paul Willis, Chryss Yost and David Starkey; musical performance by Brian Slattery and Greg Harrison.

Courageous Conversations for Outrageous Times

In celebration of Latinx Heritage Month, Santa Barbara City College presents “Courageous Conversations for Outrageous Times.” The first event in the series is Harry Gamboa Jr.'s “(Re) Exiled Lecture from the City State of Los Angeles to Santa Barbara.”

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