ART TALK

4:00–4:45 PM: Visitors are encouraged to arrive early to visit the Day of the Dead altar on display in the Library’s Ethnic & Gender Studies Collection (2nd Floor, Ocean Side). Students from UCSB’s Las Maestras Center will be in the space to talk about the altar they created.

5:00 PM: Reception and panel discussion in the Library’s Special Research Collections (3rd Floor, Mountain Side) begins.

Moderator: Angel Diaz, the Curator for CEMA and the Interim Directory of Special Research Collections at UCSB Library will moderate the panel discussion.

Panelists:
Marvella Muro is the Director of Artistic Programs and Education at Self Help Graphics (SHG) in Los Angeles. Prior to joining SHG, she was the Community Engagement Manager at the Los Angeles County Museum of Art, developing and executing art programs with community partners, artists, and social service groups in the neighborhoods of East Los Angeles, Compton and North Hollywood.

Linda Vallejo is an American artist known for painting, sculpture and ceramics, creating work that visualizes what it means to be a person of color in the United States. She states that these works reflect what she calls her “brown intellectual property”—the experiences, knowledge, and feelings gathered over more than four decades of study of Latino, Chicano, and American indigenous culture and communities.

Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States.

The Museum welcomes acclaimed poet, novelist, performer, and art journalist Eileen Myles. A trailblazer whose decades of literary and artistic work, in the words of The New York Review of Books, “set a bar for openness, frankness, and variability few lives could ever match.” Myles is the author of more than 20 books, including A Working Life, For

In this talk, David Ake Sensabaugh, Head of the Asian Art Department at Yale University, will explore the history of the flower-and-bird painting genre in China.

Eik Kahng, Ph.D. Chief Curator and Deputy Director, SBMA In the last thirty years, the Danish painter Wilhelm Hammershøi (1864-1916) has regained the critical recognition that he enjoyed during his lifetime as “the Danish Vermeer.” His route to the uncanny and the sublime was unique, in that he chose to focus on domestic interiors, typically

In this talk, UCSB Professor Peter Sturman will trace some of the rich history of Xiyu painting in flower-and-bird painting, its vital ties through calligraphy to the early formation of literati painting. Mary Craig Auditorium Free Students | SBMA Members $5 Non-Members

The Atkinson Gallery at Santa Barbara City College and the Santa Barbara Museum of Art have co-organized an artist’s talk with Whitney Bedford, a California artist who looks to art history, especially Impressionist painters, to make startlingly colored and brilliantly graphic images. Even though Bedford is a thoroughly contemporary artist, her work exists in a

In this conversation, resonating with both the past and tradition exemplified in the exhibition Flowers on a River and with the distillation and duality explored in Inside/Outside, Jenny Xie opens up, as US Poet Laureate Juan Felipe Herrera described, “multiple terrains of seeing.” With longing and memory, nuance and subtlety, the “anxiety of bilingualism,” and the unknowability of