As part of the exhibition Inside/Outside, (on view until February 18) a survey of recent acquisitions, the Santa Barbara Museum of Art is pleased to welcome back Narsiso Martinez for a public presentation. Martinez takes the produce boxes from grocery stores and paints portraits of the agricultural laborers many of whom are undocumented and subjected to

4:00–4:45 PM: Visitors are encouraged to arrive early to visit the Day of the Dead altar on display in the Library’s Ethnic & Gender Studies Collection (2nd Floor, Ocean Side). Students from UCSB’s Las Maestras Center will be in the space to talk about the altar they created.

5:00 PM: Reception and panel discussion in the Library’s Special Research Collections (3rd Floor, Mountain Side) begins.

Moderator: Angel Diaz, the Curator for CEMA and the Interim Directory of Special Research Collections at UCSB Library will moderate the panel discussion.

Panelists:
Marvella Muro is the Director of Artistic Programs and Education at Self Help Graphics (SHG) in Los Angeles. Prior to joining SHG, she was the Community Engagement Manager at the Los Angeles County Museum of Art, developing and executing art programs with community partners, artists, and social service groups in the neighborhoods of East Los Angeles, Compton and North Hollywood.

Linda Vallejo is an American artist known for painting, sculpture and ceramics, creating work that visualizes what it means to be a person of color in the United States. She states that these works reflect what she calls her “brown intellectual property”—the experiences, knowledge, and feelings gathered over more than four decades of study of Latino, Chicano, and American indigenous culture and communities.

Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States.