The Santa Barbara Sea Glass & Ocean Arts Festival (SBSGOAF) is having an Instagram silent auction from October 11-18, with 100% of the proceeds going to @sbmaritimemuseum. The Santa Barbara Maritime Museum has been closed for the duration of the pandemic and may not be able to reopen until the end of the year. We wanted to help them out, and we are hoping you will support our efforts. 12 amazing professional artists are transforming wood fish into beautiful original art for you to bid on!

Hookman by Lauren Yee

Directed & adapted by Michael Bernard

An early play by a rising contemporary playwright, Hookman has been described by some as a “slasher comedy.” Sometimes mysterious, often hilarious, Hookman is a biting story of teen angst and loss.
URL: https://www.theaterdance.ucsb.edu/news/event/747

Event Price: $13-19

UCSB Performing Arts Theater

FEB 15, 2020 / 1PM, 7PM
FEB 18 - 20, 2020 / 8PM
FEB 21 - 22, 2020 / 7PM
FEB 22 – 23, 2020 / 1PM

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

Makers Market is the best outdoor market that Santa Barbara has to offer. Meet the artisans in person. This market offers unique one of a kind items in an outdoor European style setting.

Join us for a dialogue between Roberto Strongman (Black Studies) and Jennifer Tyburczy (Feminist Studies) about Strongman’s new book, Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou. Refreshments will be served.

Jahman Ariel Hill is a poet, playwright, and college professor based in Birmingham, AL. He is currently ranked 3rd in the world in slam poetry and is touring his award-winning one man show, Black Enough, which previewed Off Broadway at Theatre Row. As an academic, he has earned a BA in International Studies with a focus in Middle East Relations, an MA in Communication Studies, and is working towards an MA in Women's Studies. His academic and activist work helped earn him the Marsha Houston Award for Outstanding Student Work in Social Justice and Diversity.

The Thalea String Quartet brings together artists of Nigerian, Venezuelan, Japanese, and Canadian heritage. With repertoire as diverse as its members, and every bit as exuberant, Thalea connects with audiences on a musical, emotional, and personal level, from first-time listeners to string quartet aficionados. Top prizewinners at both the 2018 Fischoff and Chamber Music Yellow Springs Competitions, Thalea was founded in 2014 and made its U.S. début at the Kennedy Center in 2016. They have performed across North America and in Italy, France, and Belgium. “Thalea never failed to deliver a stirring performance.” - Calgary Herald

They will perform Aaron Copland’s "Movement for String Quartet," a new work being written for the Thalea Quartet, Beethoven’s "Op. 59 No. 2," and "Three Folksongs in Counterpoint" by African-American composer Florence Price.

The Thalea String Quartet brings together artists of Nigerian, Venezuelan, Japanese, and Canadian heritage. With repertoire as diverse as its members, and every bit as exuberant, Thalea connects with audiences on a musical, emotional, and personal level, from first-time listeners to string quartet aficionados. Top prizewinners at both the 2018 Fischoff and Chamber Music Yellow Springs Competitions, Thalea was founded in 2014 and made its U.S. début at the Kennedy Center in 2016. They have performed across North America and in Italy, France, and Belgium. “Thalea never failed to deliver a stirring performance.” - Calgary Herald

They will perform Aaron Copland’s "Movement for String Quartet," a new work being written for the Thalea Quartet, Beethoven’s "Op. 59 No. 2," and "Three Folksongs in Counterpoint" by African-American composer Florence Price.

America Then and Now:
What History Tells Us About the Future

“He has seen how American politics works close up... yet he has remained uncynical. He is an adroit and appealing storyteller.” The New York Times

Celebrating 30 years as a band, Toad the Wet Sprocket is still making music and touring with the same spirit of unwavering independence that started it all over three decades ago.

The band is thankful for the continued help and enthusiastic support of their fans, which helped spur the release of All You Want and also serves as inspiration for the band to tour and play live. They also continue to support their most recent releases, New Constellation (2013) and The Architect of Ruin EP (2015). Toad the Wet Sprocket share in the kind of musical chemistry that can only come from meeting in high school and writing, recording and touring on albums over the course time. After Bread & Circus, they followed with Pale in 1990, fear in ’91, Dulcinea in 1994, and Coil in 1997, as well as some compilations along the way. While most will still feel the comforting familiarity of the Billboard-charting hits, “Walk on the Ocean”, “All I Want”, “Something’s Always Wrong”, and “Fall Down”, fans will also be well familiar with tracks with lyrics that resonate for so many life milestones like “The Moment”, “I Will Not Take These Things for Granted” and so many more.

Start off the new year connecting with other like-minded kind and ambitious Professional Women at Andersen's Bakery. Enjoy sharing your lunch time, getting to know one another, building business friendships and networking