The Santa Barbara Sea Glass & Ocean Arts Festival (SBSGOAF) is having an Instagram silent auction from October 11-18, with 100% of the proceeds going to @sbmaritimemuseum. The Santa Barbara Maritime Museum has been closed for the duration of the pandemic and may not be able to reopen until the end of the year. We wanted to help them out, and we are hoping you will support our efforts. 12 amazing professional artists are transforming wood fish into beautiful original art for you to bid on!

Hookman by Lauren Yee

Directed & adapted by Michael Bernard

An early play by a rising contemporary playwright, Hookman has been described by some as a “slasher comedy.” Sometimes mysterious, often hilarious, Hookman is a biting story of teen angst and loss.
URL: https://www.theaterdance.ucsb.edu/news/event/747

Event Price: $13-19

UCSB Performing Arts Theater

FEB 15, 2020 / 1PM, 7PM
FEB 18 - 20, 2020 / 8PM
FEB 21 - 22, 2020 / 7PM
FEB 22 – 23, 2020 / 1PM

By definition, the observable universe comprises all matter that can be seen or captured with current technologies. As vast and all-encompassing as that may seem, it still presumes a specific perspective from which all else is viewed and conceptualized—one afforded by the particular viewpoint of being on earth. Our unbridgeable physical distance from other cosmic entities, including the infinite reaches of other galaxies, has forced artists to look to observational sciences like astronomy for inspiration and employ experimental methods to conceptualize the vastness of outer space. In astronomy, there are multiple methods used to visualize celestial objects. Similarly, artists’ perceptions of the universe vary widely, inspired by a variety of cosmological models.

Drawing primarily from SBMA’s permanent collection and supplemented by loans from area collections, "The Observable Universe" explores a diverse range of artistic representations of the cosmos roughly coinciding with the ‘Space Age’ of the last sixty years. From early fascinations with space travel to philosophical questions of humankind’s place within the larger universe, the artwork featured in this exhibition reflects an enduring captivation with outer space and the mesmerizing imagery that the limitless cosmos inspires.

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

Alfredo Ramos Martínez (1871–1946) was a pivotal figure in the modernist development of Mexican art. He spent his formative years immersed in the artistic life of Paris, returning to Mexico in 1910 on the eve of the country’s Revolution. After becoming director of the famed Escuela Nacional de Bellas Artes in Mexico City, he established the nation’s first open air schools and encouraged his pupils to create work that captured observations of daily life. In 1929, Ramos Martínez and his family relocated to Los Angeles. For the next two decades, his subject matter focused on the people and culture of Mexico, with the artist receiving many notable mural commissions throughout Southern California. His canvases depict indigenous traditions, local crafts, and religious icons painted in striking hues of umber and sienna accented by bold highlights of color.

While Ramos Martínez was celebrated as a painter, some of his most iconic works of art were created on paper. Said to have always carried a Conté crayon in his pocket, the artist frequently drew on newspaper—the printed columns of text supporting totem-like figures of flower vendors. Working in combinations of gouache, charcoal, Conté crayon, and watercolor, he perfected a signature style in which forms were reduced to essentials to create a structural scaffolding across the paper’s surface. "Alfredo Ramos Martínez: On Paper" is an intimate exhibition of works from the Santa Barbara Museum of Art’s permanent collection. Comprising six drawings, as well as two serigraphs created by his wife María Sodi de Ramos Martínez after his death, the exhibition showcases the artist’s extraordinary draftsmanship, revealing the layered sensibility in his chosen themes.

Alfredo Ramos Martínez: On Paper is curated by Rachel Heidenry, Curatorial Assistant, Contemporary Art, and presented in both English and Spanish in the Works on Paper room of SBMA’s Ridley-Tree Gallery.

Image: Alfredo Ramos Martínez, "Mujeres con flores (Women with Flowers)" (detail), ca. 1946. Tempera and Conté crayon on newsprint / Tempera y crayón Conté sobre papel periódico. SBMA, Gift of the P.D. McMillan Land Company, 1963.32.1 © The Alfredo Ramos Martínez Research Project.

Experience an Abundance of Holiday Celebrations Reflecting Many Faiths and Traditions at the Unitarian Society of Santa Barbara’s Annual “Twelve Days of Engagement” Event Calendar

Makers Market is the best outdoor market that Santa Barbara has to offer. Meet the artisans in person. This market offers unique one of a kind items in an outdoor European style setting.

The not-for-profit wine tasting group Inside Wine Santa Barbara offers a Wine Weekend of activities. Join in all or one of our events! www.meetup.com/Inside-Wine-Santa-Barbara

LUTAH explores the life of a little known architect who left a big legacy. She designed iconic buildings such as the Lobero Theatre, Vedanta Temple, and the Botanic Garden and was integral to rebuilding a damaged Santa Barbara after the 1925 earthquake. Lutah designed exquisite homes in many styles for some of Santa Barbara’s greatest philanthropists and spent hundreds of volunteer hours laying the foundation for the Santa Barbara Landmarks Commission. She did all of this as an independent woman at the turn of the 20th century.

This is the untold story of Lutah Maria Riggs.

Lutah navigated her way through the male-centric world of architecture and brought a fresh take to the established architectural styles of Southern California. From Spanish Colonial Revival to Art Deco, to Modernist and back to Traditionalism, Riggs mastered the art of experimentation. Her attention to detail, use of new materials, environmental concerns, and love of the natural landscape brought a unique and specific quality to her work. As one of her contemporaries said, “With Lutah, there was no such thing as impossible; it just took a little bit longer.”

For 60 years Lutah blazed a trail for architects and women, relying on the courage of her convictions and a hint of eccentricity. In a time when most women’s highest expectation was marriage Riggs pursued her passion and created a life of independence, an exceptional choice for a woman at that time. In addition to her buildings, Lutah also left a legacy: She was a self-made woman who boldly overcame barrier after barrier.

LUTAH offers never before seen photos and journal entries from Riggs’ personal collection, and candid interviews reveal the woman behind the drafting table. With stunning footage of some of Santa Barbara’s most iconic structures and a rare glimpse of private homes, LUTAH sheds light on true Santa Barbara treasures.

Wine tasting with "rock star" winemaker includes lunch—with Inside Wine Santa Barbara